-1961 -
first Outside, on grass Müggelsee. Day. Franz Maria. Alexander.
Two people are left out running toward the camera.
Franz swirls around Maria, they laugh.
Her son Alexander comes to it.
A happy family.
second Outside. Playground. Day. Franz Maria.
Mary on the swing, Franz wrong.
Maria: But I will stay but one day with my mother in the Wedding!
Franz: Yes ... and a whole night ...
They kiss.
third Inside. Dark. By Door falls in the light. The door is too loud.
Speaker: A Pankow family in the shadow of German history!
4th Inside. Bedroom. Maria. Her mother.
The mother shakes Mary, who is in bed and his eyes to.
Mother Mary! Wake up! That make the borders tight!
Mary sleeps.
Mother Mary! Wake up! That make the borders tight!
Mary sleeps.
Mother Mary!
Maria wakes up. Your upper body will lock up and she screams "No!
5. Inside. Housing. Maria.
Starting with her high heels, the camera pans slowly over the body of Mary.
Get a Berlin identity card is in their nylon stockings.
Speaker: On 13/8/1961 was ripped apart an entire people ...
and the family court.
Maria (looking at an infinite distance): I get 'over it!
6th Inside. Maria's room. Maria.
Maria Franz creates an altar. They attached his picture on a black background, next to a cross.
She strokes the picture.
SOUND: A radio show from the off states that after ten-day grace period now no longer allowed in West Berlin in the east.
radio voice .... only ten days after the illegal closure of the sector border. Brandt went on to explain the refusal to West Berlin was contrary to clearly allied right and he would advise on the evening held talks with the three city commander this worrying development ... (Fades out)
explanatory words of the filmmaker:
will never love her to another.
7th Inside. Housing. Maria. The chorus of hyenas.
The original letter
Maria reads a letter.
three figures stand motionless behind her, looking only at different distances, turn slowly in their direction. The chorus of hyenas.
Maria puts down the letter. We see her shattered face. Completely flat voice she says:
Maria: Franz ... shot on the run.
Love is sometimes like death, only somehow more
.
The chorus of laughing hyenas wrong and evil.
Speaker: They rebel against their fate.
indeterminate time ("Later")
8th Bus stop in front of the factory. Day. Maria. Elfi.
Maria is waiting for the bus.
Elfi goes past her and says enticingly:
Lonely? Come to me!
you go, lets slip her hand of Mary.
Maria looks after her longingly.
9th Inside. Bedroom. Maria. Elfi. Alexander.
An "intense" love scene in bed between the two women.
Spokesman: They fight bitterly against it, to be the plaything of big powers.
Alexander watching, imitating them happy.
10th Inside. Bedroom. Maria. Alexander.
Maria Alexander sits on the unmade bed, stroked him.
Mary Alexander, you need a father, and I promise you, you'll get one!
1963
11th Outside. On a lawn in front of a factory. Day. Maria. Elfi.
Maria Elfi and sit side by side on the grass.
Maria: You
Elfi, it is already prepared everything. The address of the hospital in Lebanon've I did. if anything it would not last as long. But I know that you do all the time will take care of Alexander. You will provide and Alexander will be with him all the time.
The camera pulls back. We see a lonely place, an empty street.
SOUND: The sound of a busy street and from a construction site.
12th Inside. Dark. Through a door falls in the light. The door closes quietly.
Speaker: You want to remain human in inhuman times.
-indeterminate time
13th Inside. Entrance. French 3 men.
Two henchmen maltreat a victim.
Franz: Who am I?
The Tormented Peter Breitkopf ... arrrrrghh.
Franz (makes it hard to Bogart): Exactly! And it does not forget again. Is that clear?
1972
14th Inside. Staircase. Maria.
Maria comes up as a man plunged the stairs. She is excited.
Speaker: Nine years Maria wrong place by the deadly chaos of the Middle East, and he comes back unbroken.
She stops in front of a door on which a large ELFI stands.
15th Inside. A stylized living room. Maria. Alexander ("Sven").
Alexander ("Sven"): So for 80 marks I'll do you better than me, eh
special requests?
Mary sits frozen in the chair.
(softly) I'm his father.
(louder) I am your father.
(louder) I'm your mother. Alexander, my son!
Alexander stands up. His face expressed contempt and disgust. With angular movements he pointedly suppressed from his cigarette.
Insert: The bent cigarette.
16th Inside. A stylized living room. Maria. Alexander ("Sven"). Elfi. Franz (Peter).
Elfi comes through the door. Behind it is French
Elfi: Hi Sven, look who is back: Peter! Since we do
but also quite nice to him are not?
Maria turns slowly toward the door.
Maria (stunned, shocked): Franz!
Maria (then melting): Franz!
Franz, laughing, how can one be so stupid! Tztztz!
Alexander: You are my father? Is so funny! I have two fathers!
Franz laughs herself to death
Maria screams hysterically.
Maria.
Speaker: Anna Chagall.
French spokesman: God Help John.
Alexander.
Speaker: And the first time: Kuno shine.
17th Inside. Kitchen. Maria.
Only Mary is the supreme body to see. It brings out a large knife to cut the male genitalia. Blood and pain.
Speaker: In a film by Konrad Schmidt. After the award-winning Book by Peter glove: The interior wall. First it was
only a great novel, now it's also a great movie.
The interior wall.
18th Tablets contributors. "The inner wall"
Music: Mama just loves Dad, Dad just loves Mama, Mama just loves Papa
1961
19th Outside. Playground. Day. Franz Maria.
display: The story of a passionate love.
Mary calls again and again "I love you", but the music ("Mama loves only dad ") is too loud and Franz does not understand.
Franz: This intense smell of Pelikanol adhesive.
I can not do anything.
tablets: Dedicated RW Fassbinder, who was taken from us so unexpectedly.
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